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Theater & Performing Arts Cheatsheet
A quick reference guide covering key terminology, roles, and concepts in theater and performing arts. From stage directions to technical elements, this cheatsheet provides a handy overview for students, enthusiasts, and professionals.
Basic Terminology
Stage Directions
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The area of the stage furthest from the audience. |
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Downstage (DS) |
The area of the stage closest to the audience. |
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Stage Right (SR) |
The actor’s right when facing the audience. |
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Stage Left (SL) |
The actor’s left when facing the audience. |
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Center Stage (CS) |
The middle of the stage. |
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Apron |
The area of the stage that extends beyond the proscenium arch. |
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Wings |
The offstage areas on either side of the stage. |
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House |
The area where the audience sits. |
Performance Elements
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Blocking |
The precise staging of actors in order to facilitate the performance of a play, ballet, film or opera. |
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Pace |
The rate at which actors speak or move. |
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Diction |
The clarity and effectiveness of speech. |
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Projection |
The strength of speaking or singing voice to be audible to the audience. |
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Ensemble |
A group of actors working together cooperatively. |
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Improvisation |
Acting without a script, spontaneously creating scenes. |
Technical Elements
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Lighting |
The use of lighting instruments to illuminate the stage and create mood. |
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Sound |
The use of sound effects, music, and microphones to enhance the performance. |
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Set Design |
The creation of the physical environment of the play on stage. |
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Costume Design |
The design and creation of clothing for the actors. |
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Props |
Objects used on stage by the actors. |
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Scrim |
A gauze-like curtain that can appear opaque or transparent depending on how it is lit. |
Key Roles in Theater
Creative Team
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Director |
Responsible for the overall artistic vision of the production. |
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Playwright |
The author of the play. |
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Set Designer |
Designs the physical environment of the play. |
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Costume Designer |
Designs the costumes for the actors. |
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Lighting Designer |
Designs the lighting for the production. |
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Sound Designer |
Designs the sound for the production. |
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Composer/Lyricist |
Writes the music and lyrics for musicals. |
Production Team
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Stage Manager |
Oversees all aspects of the production during rehearsals and performances. Calls cues. |
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Technical Director |
Responsible for the technical aspects of the production, including set construction and lighting. |
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Costume Shop Manager |
Manages the costume shop and oversees the construction of costumes. |
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Master Electrician |
Responsible for hanging, focusing, and maintaining the lighting equipment. |
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Sound Board Operator |
Runs the sound board during performances. |
Performance Roles
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Actor/Performer |
Portrays a character in the play. |
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Understudy |
Learns a role in case the original actor is unable to perform. |
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Ensemble Member |
Part of the chorus or a smaller group of performers. |
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Dancer |
Performs dance numbers in musicals or plays. |
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Musician |
Plays musical instruments during the performance. |
Dramatic Structure
Classical Structure
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Exposition: Introduction of setting, characters, and initial conflict. |
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Many plays, especially those written before the 20th century, adhere to this structure, derived from Aristotle’s analysis of Greek tragedies. |
Variations in Structure
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Episodic Structure |
A series of loosely connected scenes or episodes. |
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Cyclical Structure |
The play ends where it began, emphasizing repetition or futility. |
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Minimalist Structure |
Focuses on essential elements, often with ambiguous or suggestive storytelling. |
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Fragmented Structure |
Non-linear, disjointed scenes that challenge traditional narrative. |
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Absurdist Structure |
Lacks clear causality, purpose, or logical progression. |
Dramatic Devices
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Foreshadowing |
Hints or clues about future events. |
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Dramatic Irony |
Audience knows something the characters do not. |
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Soliloquy |
A character speaks their thoughts aloud, alone on stage. |
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Aside |
A character speaks directly to the audience, unheard by other characters. |
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Deus ex machina |
An unexpected power or event saving a seemingly hopeless situation, often considered contrived. |
Genres and Styles
Major Genres
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Tragedy |
Deals with serious and important themes, often ending in the downfall of the protagonist. |
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Comedy |
Aims to amuse and often features humorous characters and situations. |
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Drama |
A serious play that is not necessarily a tragedy. |
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Musical Theatre |
Combines music, songs, spoken dialogue, and dance. |
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Farce |
An exaggerated comedy with absurd situations and characters. |
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Melodrama |
Exaggerated emotions and sensational events. |
Theatrical Styles
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Realism |
Aims to depict life as it is, with realistic characters and settings. |
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Naturalism |
An extreme form of realism that emphasizes the influence of environment on character. |
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Expressionism |
Distorts reality to express inner emotions and experiences. |
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Surrealism |
Explores the subconscious mind through dreamlike and irrational imagery. |
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Absurdism |
Highlights the meaninglessness of existence through illogical and nonsensical events. |
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Epic Theatre |
Breaks the fourth wall to engage the audience intellectually and critically. |
Contemporary Forms
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Performance Art |
Live art that incorporates a variety of media and performance elements. |
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Devised Theatre |
A collaborative process where the script is created by the performers. |
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Immersive Theatre |
The audience is placed within the world of the play, often interacting with the performers. |
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Site-Specific Theatre |
Performed in a non-traditional theatre space that is relevant to the play’s content. |